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Anime-zing obsession: Gen Z can’t look away!
Decoding the rise and rise of anime consumption in India: From childhood accessories to more serious narratives


By Farhaan Tipu
Anime, the unique and engrossing form of Japanese animation, has gone past niche fandom in India to establish itself as an important cultural movement accepted by the broadest spectrum of generations. This ‘mania’, as could be described by some, is not an impulse but a quietly increasing wave fueled by interesting narratives, creative mastery, and a growing sense of community further accentuated by events such as the growth of Comic Con India.
For most Indian children, initial exposure to Japanese popular culture was through endearing toys such as Pokémon cards and Beyblades. Such childhood favorites, far from mere toys, were a window into fantasy worlds and a source of friendship. As we entered our teen years (approximately 15-17 years old), our viewing habits became more mature. Though nostalgic for the uncomplicated cartoons of Tenali Rama, Popeye, and the Powerpuff Girls, we were increasingly drawn to the more sophisticated and intricate storytelling of anime.
One of the first collaborations between India and Japan in anime is The Legend of Prince Ram. The movie is an example of the initial relationship between the two nations in the animation field. Such early exposure paved the way for subsequent generations of Indian anime fans.
It was the depth and maturity of the story that was appealing. Unlike the often episodic and straightforward plots of many Western cartoons we grew up with, anime series often presented intricate storylines, well-developed characters with internal conflicts, and explored complex themes like morality, loss, and the meaning of existence. Shows like Death Note, Attack on Titan, Naruto and Code Geass, which gained popularity during our teenage years, offered a level of narrative sophistication that resonated with our growing intellectual curiosity. The serialized nature of many anime also allowed for deeper character development and more immersive world building, a far cry from the self-contained episodes of older cartoons.
The COVID-19 pandemic served as an unwitting accelerant, greatly amplifying anime’s presence in India. As traditional entertainment channels were curtailed, streaming services such as Netflix and Crunchyroll emerged as indispensable windows of content. The easily accessible and wide range of available anime titles brought the medium to a huge new base, eradicating earlier access barriers and continuing to stoke the interest already gaining traction among our generation.
Yet anime’s appeal is more than just entertainment. Japan has strategically used anime as an effective instrument of cultural diplomacy. Through its animated productions, Japan subtly presents Japanese cities, customs, and values, thereby effectively marketing tourism and creating a favorable global image – a kind of “soft power.” This osmosis of culture quietly engages Indian spectators in the subtle nuances of Japanese society, inspiring greater appreciation and affinity.
This increased appreciation has had a physical manifestation in the rising popularity of festivals such as Comic Con India. Begun in 2011 in New Delhi, Comic Con India served as an important platform for comic, gaming, movie, television, and, importantly, anime and manga fans. It was a game-changer, providing a physical venue for fans to interact, share their common interests, and meet creators and merchandise. Years later, success at the New Delhi event led to expansion into other large Indian cities such as Mumbai, Chennai, Bangalore, Pune, Hyderabad, Ahmedabad, and Kolkata. These events have grown into thriving centers where early fascination with Japanese characters has blossomed into an appreciation of anime art and story.
In conclusion, Indian generations’ “our obsession” with anime is a complex phenomenon that is frequently built upon initial positive experiences with Japanese entertainment such as Pokémon and Beyblades. Once we were older, the more mature and interesting storylines of anime presented an interesting alternative to more straightforward cartoon formats. Combined with enhanced availability via streaming services and the dynamic fan culture encouraged by conventions such as Comic Con India, this interest has grown into a powerful cultural phenomenon nationwide.
Well, well, that’s not exactly the conclusion we want to leave you with. We would rather have you join the countdown to the India release of the much-awaited movie Demon Slayer: Kimetsu no Yaiba – Infinity Castle — coming to Indian cinemas on September 12, 2025. Audiences will be able to enjoy the film in its original Japanese with English subtitles, along with Hindi and English dubbed versions, ensuring fans of all preferences can experience the epic conclusion.
That’s the conclusion we were talking about!